CHAPTER NINE
At four o'clock in
the morning Peter and Francois walked quickly through the dark
streets of Pamplona. It was seventh July, the day of San Fermin,
and the city was like a huge bow drawn to the breaking point;
trembling and eager to release its gathered energies.
Every hotel and
pension in the town was packed to the walls; every table in every
restaurant in the city had been booked solid for weeks.
In two hours the
bombs would sound, the bulls would break for the streets, and the
fiesta would explode into life; it didn't start or commence in any
normal or predictable fashion, Peter remembered, at one second it
wasn't; the next second it was a sudden, roaring fact.
They turned into the
Calle de la Estefeta and walked towards the plaza that spread in a
semi-circle about the building of the Ayuntamiento.
Francois wore a dark
suit. Peter was dressed in a heavy brown sweater and grey slacks.
They both carried suitcases.
On their way to the
plaza they passed labourers, a policeman, and a group of seemingly
bewildered young Danes also carrying suitcases.
There were nods,
smiles, salutes. Peter and Francois turned off the Estefeta and
were alone once again, swinging on briskly through the
darkness.
When they reached the
plaza, Francois put down his suitcase and studied his watch. Peter
went into the narrow passageway that led to the warehouse behind
the bank, and knelt before the clusters of iron grille work
covering the basement windows. It was quieter and darker in the
passageway, with a chill bite in the damp air. He opened his
suitcase and removed a transistor-powered chain-saw, which
glittered dully in the gloom. It was ten inches long, and looked as
if it had been designed for children, but its fine teeth were
capable of gnawing through anything but processed steel
plate.
The grille work
inclined towards the wall of the building at a forty-five degree
angle. Peter sliced it from its frame in a single piece, and
smeared the shiny cuts with black grease. The grille work angled to
the wall as it was, could be replaced in its frame as neatly and
firmly as a lid on a pot. Peter set it aside and drew a line on the
bottom of a window-pane with a glass cutter. He covered this with
transparent tape, and made three more incisions on the top and
sides of the glass. When he gently prodded the pane with his
fingertip, it fell open like a trap door, hinged by the strip of
transparent tape. Peter put a hand through the window, found the
catch and released it. He then replaced the pane of glass and
secured it firmly with three more strips of tape. It would have
required a close examination to reveal that the window had been
tampered with. The work had taken sixty-five seconds.
Boots rang in the
plaza. Someone hailed Francois. Peter froze against the wall.
"Yes, yes, I do need
a room," he heard Francois say, in a much too hearty voice.
Peter crept up the
passage and peered into the plaza. Francois was talking to a
policeman.
"In that case, I'll
take you to my brother's home," the policeman said. "It's only a
cot, but you're lucky to find anything now. And it's not
expensive."
"But I'm waiting for
friends."
"Here? At this
hour?"
"They're driving up
from Madrid."
"Oh. Didn't you come
into the plaza with someone else? A tall man with a
suitcase?"
"A tall man?"
Francois laughed pointlessly. "Yes. He's gone through. He's got a
girl in town."
"Lucky fellow."
The policeman went
away, his boots ringing hollowly on the cobblestones. When the
sound faded to a murmur, Francois wheeled and ducked into the
passage alongside Peter. He was breathing hard; sweat beaded his
forehead.
"Come on," Peter
said, moving off into the darkness…
***
The basement of the
warehouse was immense. Peter stood behind the concealing bulk of a
stone column and snapped on his flashlight. An irregularly pitched
ceiling arched above them like the roof of a cave.
Peter's torch formed
a small pool of yellow light at his feet, and sent shadows leaping
like phantoms towards the distant walls. The air was heavy and damp
and motionless, like the air in a meat locker.
Peter took a compass
from his pocket and turned the torch on it, and when the needle
stopped flickering, he nodded to Francois, and followed the arrow
through the darkness until he came to the wall that stood between
him and the vaults of the bank. He checked his compass and studied
the surface of the wall appraisingly. After a bit, he took out a
crayon and drew on the dull-red bricks two black circles, three
inches in diameter, three feet apart, and three feet above the
floor.
He opened the
suitcase, removed two hand-drills, gave one to Francois.
"Let's go," he
said.
The drills dug and
clawed with an angry sound at the stubborn bricks and mortar. Dust
and powder rose and streaked their shining faces.
Church bells rang the
quarter hours above the sleeping city, and from the streets came
the voice of workers, faint and indistinct, and the thud of mallets
on heavy timbers.
Francois leaned
against the wall. Blood gleamed brightly from one of his
knuckles.
"What is that?"
"The barricades.
They're putting them up."
"Do we have enough
time?"
"Yes. Keep
drilling."
"How much longer, for
God's sake? Look at my hands."
"Keep
drilling."
Above them the city
began to stir slowly and heavily, stretching itself like a great
healthy animal. Water rumbled through the sewers beneath their
feet, and there were muted sounds of traffic in the street. The
gloom of the basement became streaked with slivers of pale light.
"Good God, do we have time?"
"Yes."
Peter knelt beside
the suitcase to prepare his charges. But first he nibbled
thoughtfully on a splinter of brick, attempting to learn something
of its grain and porosity. He learned very little. The shot would
be mainly guesswork, he knew, as he spat dust from his mouth and
removed the blasting equipment from the suitcase.
Francois sucked blood
from his damaged knuckles and watched him with anxious eyes.
Peter placed the
blasting machine behind a stone column thirty feet from the wall.
He unreeled fusing wire, measured it into forty-foot lengths, and
cut each section carefully and squarely with a pen-knife. Using a
hand-crimper he attached their ends snugly to electric detonator
caps. He measured the length and diameter of the caps with his
eyes. Two inches by a quarter-inch… He picked up a stick of
dynamite and a: dynamite punch. Holding the dynamite in his left
hand, he twisted the punch into the end of it with his other,
driving the wooden pin deeply into the hard brittle explosive.
Francois moved back. "You know what you're doing?"
"Yes."
When the holes were
deep enough and wide enough, he screwed electric caps into them. He
selected three sticks of dynamite for each charge, bound them
together with friction tape, eased them carefully into the holes he
and Francois had drilled into the wall. On top of the charges, he
poured handfuls of loose brick and mortar; and pounded the mixture
down hard with the flat of his hand.
Early light was
spreading through the basement by then. Details emerged as the
shadows shortened and retreated to the walls. There were empty
packing cases, heaps of canvas hampers, a row of empty kegs, all of
them covered with fine grey dust. There was only one door, and it
was locked as Peter had surmised it would be from the opposite
side.
It looked as if
nothing short of dynamite would budge it; the panels were made of
heavy slabs of hard wood, with massive iron hinges covering half
their surfaces. "We have fifteen minutes," Peter said.
He knelt behind the
stone column, and examined the blasting machine.
Francois watched as
Peter checked the plunger mechanism, the test pilot-light.
"You think it's going
to work?"
"Yes. There'll be a
heavy blast downward, a very little surface fragmentation. But
cover your face, and stay behind the column. Now listen: We won't
have time to drill for the second shot. We'll cover the dynamite
with loose rock, as deep in the excavation as possible. Then we'll
stow this gear away and clear out of here. Fast."
Francois studied
Peter with a curious smile. The light in the basement was stronger
and clearer now; it caught the flare of evil humour in his eyes,
trapped that strange derisive spark that animated his commonplace
features.
"And you're doing all
this for nothing," he said, in a soft, musing voice. "For nothing
but some crazy notion of honour. Tell me: what is honour? What's it
like?"
"It's a good
feeling."
"Like the feeling
after a fine dinner with excellent wines? Or like the feeling you
have with a new and fascinating woman, someone sensual and
experimental, who drives you as wild as salt in a fresh
wound?"
Francois smiled
delicately. "Is it a feeling like that?"
"No."
"Then I can't be
missing very much."
"Don't knock it until
you've tried it."
"You're a fool. I've
found only one thing in life worth being loyal to, and that's my
own flesh and blood. In this world a man can only betray himself."
Francois smiled faintly. "So whatever you think, I'm no traitor. I
always take good care of myself."
Peter glanced at his
watch.
"I'm boring you, eh?"
There was a touch of bitterness in Francois's tone. "You're the
dedicated hero, and I'm the tiresome weakling. Is that what you
think?"
"Why worry about it?
You say loyalty and heroism are accidents. You equate honour with a
good meal and a roll in the hay. That's a cosy philosophy. Cuddle
up to it and make yourself comfortable."
Francois rubbed his
hands together as if they had suddenly become cold.
A tic pulled
rhythmically at the corner of his mouth. "I wouldn't worry if
everyone believed as I do. But my enemies believe in honour. Like
you, they're fools."
"Francois, understand
me." Peter's voice was deceptively mild, but something in his eyes
sent an unpleasant chill down Francois's back.
"I'm doing this job
for my friends. To keep them free and alive. If I don't bring it
off, they go down the drain. And so do I. But I promise you this:
Before that happens, I'll break your back with my own two
hands."
"Well, we want the
same thing." Francois managed a shrug, a smile.
"There's no need for
threats. You can count on me."
The walkie-talkie
Peter took from his pocket was no larger than a deck of cards. He
looped it about his neck and put a hand on the plunger of the
blasting machine. Then he glanced at his watch.
"We'll see," he
said.
Grace held a
walkie-talkie to her lips. She spoke into it sharply:
"Peter? Two
minutes!"
She stood at the
windows of a third-floor hotel room looking down at the bull pens.
In the small square facing the corral, men ranged about in excited
groups, glancing from their watches to the bulls. The river curved
around the scene like a silver arm, smooth and glistening in the
grey morning light.
The animals milled
about restlessly. Faint but clear, the brass bells of the oxen
sounded on the air.
"Peter?" There was no
answer; she began to pray.
"I'm reading you
fine." The voice was Peter's in miniature, tiny and metallic in her
ears. "How do I sound?"
"Perfect." She
tightened her grip on the walkie-talkie to keep her fingers from
trembling. "Did everything go all right?"
"No trouble so
far."
"They're clearing the
square now. The police are sending everybody out. One man is going
over to the gates of the corral. He's taking the bar down."
"I've got one minute.
Are we synchronised?"
"Yes. Fifty-five
seconds now."
Grace pulled the
curtains back and moved closer to the window. On a low platform
behind the corral, a Spaniard in uniform knelt beside a plunger
attached to a blasting machine. The wires trailing from it ran
across the ground to the river bank, and disappeared under a metal
shell which was surrounded by a fence of thick wooden posts.
"Thirty seconds,"
Grace said.
"What?"
"Thirty seconds." She
made herself speak clearly and firmly. "Thirty seconds,
darling."
"I'm ready."
"Oh, be
careful."
"None of that
now."
"Yes, I'll try.
They're opening the gate now. The bulls are moving towards it. I
love you, Peter."
"Ten seconds?"
"Yes. Peter, the
bulls are starting to run! They're ready to blast."
"Five seconds?"
"Four… three… He's
holding the plunger! Now, Peter. Now!"
The old Basque town
rocked with the explosion. Smoke shot out from under the huge metal
shell, and rose in erratic puffs above the river.
The bulls were
loose!
Grace put a hand
tightly against her trembling lips and stared at the creeping
second hand on her watch. In the square below the bulls charged the
barricades, their neck muscles cresting with excitement and fury.
The noise mounted in waves. The oxen circled the raging bulls,
their huge brass bells ringing in mournful counterpoint to the
joyous roars of the crowd.
The Spaniard on the
platform watched the animals alertly, his hand resting on the
plunger of the blasting machine.
Grace said a prayer.
Then she whispered: "Peter?"
"Yes, I'm okay." He
was panting so hard that Grace could barely make out the words. "It
was a good shot. Three feet or more. The second's all set. What's
happening?"
"The bulls are
calming down. Some of them are standing with the oxen. Now the
others are coming over to them. There's only one loose. A big grey
and white one. He's still butting the corral gate. Peter, get
ready! He's turning. He's trotting across to the other
bulls."
The seven bulls
formed a group flanked on all sides by lumbering oxen.
A man in grey twill
overalls came out from behind the barricades and cracked a whip. He
turned and waved to the Spaniards on the platform.
"They're running,
Peter. Running fast, Now, Peter. Now!" The second blast rocked the
city. The bulls were free and on their way, and the daredevils in
the barricaded streets ahead of them spat in their hands for luck
and took to their heels.